SUSAN COLLETTSUSAN COLLETTSUSAN COLLETTSUSAN COLLETT
  • HOME
  • CURRENT
  • BIO
    • Portrait
    • Artist Statement
    • Education
    • Exhibitions
    • Awards
    • Publications
    • Collections
    • Lectures
    • Associations
    • Residencies
    • In The Studio
  • CLAY
    • Beacon 2024
    • Gardiner ICAF
    • Laden 2020-2022
    • Oldenburg 2019
    • Concurrents 2017
    • Racine 2017-2022
    • Calcia 2015
    • Aggregate 2015-2019
    • Maelstrom 2015
    • Maze 2009 – 2015
    • Laurel 2008 – 2022
    • Labyrinths 2007 – 2022
    • Shale 2006 – 2007
    • Moire 2005 – 2008
  • PRINTS
    • Embossed 2015-2022
    • Lineage 2010 – 2021
    • Tracing 2008 – 2010
    • Navigation 2008 – 2010
    • Thicket 2006 – 2007
  • MEDIA
    • Invitations
    • Installations
      • Gladstone Hotel – The Racine Room 2005
      • Burlington Art Centre – Impluvium 2006
    • Copper
    • Video
  • MUSEUMS
  • CATALOGUE
  • PRESS
  • CONTACT
  • HOME
  • CURRENT
  • BIO
    • Portrait
    • Artist Statement
    • Education
    • Exhibitions
    • Awards
    • Publications
    • Collections
    • Lectures
    • Associations
    • Residencies
    • In The Studio
  • CLAY
    • Beacon 2024
    • Gardiner ICAF
    • Laden 2020-2022
    • Oldenburg 2019
    • Concurrents 2017
    • Racine 2017-2022
    • Calcia 2015
    • Aggregate 2015-2019
    • Maelstrom 2015
    • Maze 2009 – 2015
    • Laurel 2008 – 2022
    • Labyrinths 2007 – 2022
    • Shale 2006 – 2007
    • Moire 2005 – 2008
  • PRINTS
    • Embossed 2015-2022
    • Lineage 2010 – 2021
    • Tracing 2008 – 2010
    • Navigation 2008 – 2010
    • Thicket 2006 – 2007
  • MEDIA
    • Invitations
    • Installations
      • Gladstone Hotel – The Racine Room 2005
      • Burlington Art Centre – Impluvium 2006
    • Copper
    • Video
  • MUSEUMS
  • CATALOGUE
  • PRESS
  • CONTACT
ABOUT SUSAN
My full time studio practice includes clay sculpture and printmaking. The work derives from interest in the tension of strength against fragility and as I push the work towards the edge of physical collapse, this theme becomes more potent. The work is hand-built and sculptural in nature. The use of light interplay provides a perceived fragility explored through stacking and channeling of hand-built clay platelets.
CONTACT

261 Niagara Street
Toronto, ON M6J 2L7
ph: 416-504-5313
email: [email protected]

CURRENT EVENTS
  • Hamilton Potters Guild 50th Anniversary September 12,2022
  • Arizona State University Museums 2022 December 18,2021
Site by Nicole Kay